Acknowledgements
Introduction - Giovanna Fossati and Annie van den Oever
PROLOGUE
1. The Moving Image Archive as Research Laboratory Ten Years On - Giovanna Fossati and Christian Olesen
2.On Teaching Media in the Apparatus Archive, Hands-On - Annie van den Oever
PART I SMALL AND PORTABLE
3. Camera Obscura - Tom Gunning
4. The “Bande-Cache,” or: The Material Art of Light Filters - Miriam De Rosa, Andrea Mariani and Warshadfilm
5. Teaching from the Archive in Black-and-White 35mm: Analogue Nostalgia in Post-Apartheid South Africa - Landi Raubenheimer and Bongani J. Khoza
6. Socio-Technological Margins as Research Topic for Media Archaeology - Liri Chapelan
7. How to Re-Activate the Endangered Archive of a Historical Science Film Festival: A Speculative Approach - Silvia Casini
8. The Kinora as an Intermedial Dispositif of Early Twentieth-Century Home Cinema - Tim van der Heijden
9. The Homemade Film Projector - Guy Edmonds
10. Amateur Archaeologies and Hybrid Thinkering with the Kodak Reels Film Digitizer - Sanna McGregor
11. Double Vision: William Kentridge and the Stereoscope - Josef van Wyk
PART II MEDIUM AND NOT EASILY PORTABLE
12. The Mazo Cinématographe Mixte: A Hybrid Media Apparatus - Frank Kessler and Sabine Lenk
13. Bending Efforts and Beams: The Use of the CRT Projector in Video Art Installations - Evelyne Snijders and Ellen Jansen
14. A Projectionist and his Percepto: Personal Archives and Embodied Film Education - Keith Bennie
15. The LAPA Scanner and the Possibilities for Sovereign Film Preservation - Carolina Cappa and Isabel Wschebor
16. Nostalgia: Emulation as a Service - Seán Cubitt
17. Caring for Obsolete Technology “in the Wild”: Former Users as Caregivers in the Maintenance and Repair of the U-Matic Video System - Sergio Minniti
18. The Anabasis of Super 8 - Gülce Özkara
PART III LARGE
19. Film Inspection Tables as Historical, Operational and Learning Devices - Simone Venturini
20. Jan Bot: Exposing the Bits & Pieces Collection Using AI and Algorithmic Montage - Pablo Núñez Palma
21. Moving on a Budget: The Mahlase-Roodt Eco Dolly - Tumisho Mahlase and Waldo Roodt
22. Rear Projection in Brazilian Silent Movie Theatres: Sobrados, Wet Screens and Alternative Media History - Rafael de Luna Freire
23. Empowerment or Digital Colonialism? Indigenous Virtual Reality in Colombia’s Sierra Nevada de Santa Marta - Andrew Simon Tucker
24. Sensing Film Archival Data: The Film Catcher - Christian Gosvig Olesen
25. Ancestral Images, Cultural Protocols and the Politics of Digital Storage: Restricted Storage at the National Film and Sound Archive of Australia - Nikolaus Perneczky
