Introduction
Johanna Lindbladh and Anja Tippner: Tracing the Documentary: The Uses and Abuses of Factuality and Fictionality in Soviet Art and Beyond
Witnessing in Art: Theoretical Perspectives
Johanna Lindbladh: Implicated Witnessing: The Ethics of Documenting Testimonies in Belarusian and Ukrainian Witness Art
Anja Tippner: Documenting as Teamwork: Ales’ Adamovich and Daniil Granin’s Book on the Leningrad siege as a Case Study of Collaborative and Collective Writing
Irina Sandomirskaia: “No Other Certainty in History”: Sergei Loznitsa Constructing, Reconstructing, and Deconstructing the Historical Film Image
Documentary Practices in Theater and Film
Violeta Davoli.t.: The Ethnographic Moment of Lithuanian Poetic Documentary: Last Summer of a Homestead (1971) by Robertas Verba
Jeremy Hicks: Reflections on the Institutions and Sociology of Post-Soviet Independent Russian Documentary Film
Inga P.rkone-Redovi.a: Epics of Held Back: Latvian Film Director Dzintra Geka’s Essays on Genocide
Molly Flynn and Ielizaveta Oliinyk: Ukrainian Documentary Theater in the Context of War
Interview with Natalka Vorozhbyt by Johanna Lindbladh: Ukrainian Witness Theater Before and After the Full-scale Invasion: “Now We Need to Explain Ourselves to the World”
Documentary Practices in Literature
Eneken Laanes: “Looking for a Form”: Testimonial Discourse in Soviet Estonian Documentary Literature
Fiona Björling: The Truth of Literature or Mundane Reality? Ludmila Ulitskaia’s “Novel in Documents,” Daniel Stein, Interpreter
Julie Hansen: Cognitive Overload and the Documentary Mode in Maria Stepanova’s In Memory of Memory
Il’ia Kukulin: Looking for a New Access to Reality: Russian Documentary Poetry since 2008
Contributors
Index